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A young couple is pushed to the limits of sanity as they attempt to be reunited amid the chaos of a pandemic outbreak. The streets erupt into violence and depravity, as those infected are driven to enact the most cruel and ghastly things imaginable.
Models Carl and Yaya are invited for a luxury cruise with a rogues’ gallery of super-rich passengers. At first, all appears Instagrammable, but the cruise ends catastrophically and the group find themselves marooned on a desert island.
During the summer of 1937, Emanuel, a young man in his early twenties, is committed to a sanatorium on the Black Sea coast for treatment of his bone tuberculosis. The treatment consists of painful spine punctures that confine him to a plaster on a stretcher-bed. Little by little, as Emanuel gets accustomed to the sadness of his new life, he discovers that inside the sanatorium there is still a life to be lived to the fullest.
Dog lives in Manhattan and he’s tired of being alone. One day he decides to build himself a robot, a companion. Their friendship blossoms, until they become inseparable, to the rhythm of 80’s NYC. One summer night, Dog, with great sadness, is forced to abandon Robot at the beach. Will they ever meet again?
Drowning in the depths of depression and sadness, burning with anger, and chained down by alcoholism, Jonathan couldn’t do it anymore. After the loss of his father as a young boy, facing countless horrific death scenes in the line of duty, and the death of his son, Jonathan turned to the world for answers — finding only darkness. Faced with the threat of losing all that is left to him, Jonathan turns to faith and finds hope and redemption.
The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.
An intimate portrait of the acclaimed North Carolina band The Avett Brothers, charting their decade-and-a- half rise, while chronicling their present-day collaboration with famed producer Rick Rubin on the multi-Grammy-nominated album “True Sadness.”
Growing up can be a bumpy road, and it’s no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions – Joy, Fear, Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley’s mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley’s main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.
While walking home from her latest OB appointment, a very pregnant Esther Woodhouse is brutally attacked and disfigured by a hooded assailant. This horrible event seems to be a blessing in disguise when Esther finds consolation in a support group. Her life of sadness and solitude is opened up to friendship, understanding, and even acceptance. However, friendship and understanding can be very dangerous things when accepted by the wrong people.
In 1940, Masaaki Takaoka works as a teacher in the agricultural division at a youth training institute. Although Japan’s defeat seems immanent, all of Masaaki’s students are drafted in a futile last-ditch effort. In an attempt to give the young men some hope, he makes everyone promise that they will all meet again under the cherry blossoms upon their safe return. Consumed by sadness over the fate of his students, Masaaki devotes the next 30 years of his life to develop a new species of cherry blossoms that could thrive in any climate in remembrance of his students.
Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.
Two strangers meet in a hospital where their respective partners lie in a coma. Their meeting sees them start to re-examine what they want to do with their lives as they deal with their grief and sadness.
Seth McArdle (Samuel Davis) is a high school senior with an especially full plate. Not only must he navigate the usual social and academic pitfalls of high school, but he has to contend with his young twin sisters, serving as de facto parent in the absence of his deceased mother and deadbeat father. The pressure mounts when the bank calls with a foreclosure warning, and Seth’s frustrations spill over into various altercations with the school football team. An exasperated coach exiles Seth to work after school with Abel the eccentric groundskeeper (Kevin Sorbo). Their relationship starts off cold and rocky, but as the two spend more time together, they realize they have more in common than either thought. The downside: it’s pretty much pain and sadness that they share. The upside: God loves them.
The Legend of King Naresuan Part 5 Elephant Battle. In the year 2129 the Department of the Red God was incensed to the crushing defeat of King Naresuan. Both have to face the hosts and glory. So then wreak vengeance to the Lord Supangkanlaya. HRH on Dlamini’s father was a sadness with the realization that the fate of the daughter and invading the Ayutthaya done it, because he defected to the enemy side. Nordstrom will finally died King Naresuan’s went up succeed to the throne of Ayudhya dominate the successor of his father.
Patch Town, inspired by the award-winning short film of the same name. After years in a loving home, Jon, a toy, was forgotten, deserted and ultimately betrayed by his adoptive mother. He returns to live a sad life as a worker on the line; a life of factory work and oppression in a place where hundreds of cabbage babies are born every day. The thankless task of shucking, picking, and processing these newborns to go out into the world and to their new mothers has taken its toll on Jon. With each new birth, Jon slips deeper into sadness, lamenting the days when life was good and he was loved.
The story is set 70 million years ago, when dinosaurs ruled the Korean Peninsula the same way they ruled the rest of the earth. Spotty is a curious and playful Tarbosaurus child, and along with his mother and siblings, he lives happily in the forest. One day the cunning One-eye, an older Tyrannosaur looking for a new home, attacks Spotty’s herd and separates Spotty from his family. Alone, he befriends another lost girl Tarbosaur who becomes his friend and constant companion for two decades and the mother of his own children. But Spotty’s troubles with One-eye are not over, and revenge, death, fear, and sadness are all in Spotty’s future―as is happiness and hope.
When Molly Hale’s sadness of her father’s disappearance get to her, she unknowingly uses the Unown to create her own dream world along with Entei, who she believes to be her father. When Entei kidnaps Ash’s mom, Ash along with Misty & Brock invade the mansion looking for his mom and trying to stop the mysteries of Molly’s Dream World and Entei!
The story of a man who feels happy only when he is unhappy: addicted to sadness, with such need for pity, that he’s willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him.
Fear, anger, sadness, joy, disgust, envy, shame. Adaś Miauczyński goes back to his childhood days when, like most of us, he used to find it problematic to name the emotions that accompanied him. To improve the quality of his adult life, he decides to return to that time – which proves not so carefree after all – to learn how to experience the seven basic emotions. This extremely unpredictable journey into the past features an abundance of hilarious, even comical, situations but is also filled with lots of touching moments and food for thought.
